Geta Bratescu spent most of her career in obscurity in Communist Romania. Late in life she came to international recognition, and now has a major show in Los Angeles.
“Outliers and American Vanguard Art” in Washington, D.C., levels the wall between outsider and insider art, and finds a Venn overlap of “outliers.”
Turning to Brazil’s indigenous cultures and folklore for inspiration, Tarsila do Amaral helped give rise to the country’s Modern movement, a MoMA exhibition shows.
Carrie Rebora Barratt has spent most of her career as a curator and administrator at the Metropolitan Museum of Art.
Times readers said the portraits of Barack and Michelle Obama were unconventional, not unlike the former first couple, while others felt it didn’t capture their spirit.
Tania Bruguera’s “Untitled (Havana, 2000)” is recreated, with a tunnel, nude bodies and videos of Fidel Castro. The work asks questions about history and politics.
Günter Brus’s “actions” galvanized his country in the 1960s. As an exhibition marks the artist’s 80th birthday, a far-right resurgence has given his work new relevance.
A former secretary for a museum in Linz, Austria, detailed the location of the work in her will. She died in December, and the drawing has been returned to the city.
LaToya Ruby Frazier’s commanding series on Flint, Mich.; Kristin Walsh’s intricate aluminum machines; and Huguette Caland’s richly colored caftans.
Christopher Bailey imported an epic artwork from Tasmania for his final Burberry show in London.